Free PDF HAYAO MIYAZAKI STARTING POINT 1979-1996 SC (Starting Point: 1979-1996 (paperback))
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HAYAO MIYAZAKI STARTING POINT 1979-1996 SC (Starting Point: 1979-1996 (paperback))
Free PDF HAYAO MIYAZAKI STARTING POINT 1979-1996 SC (Starting Point: 1979-1996 (paperback))
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Über den Autor und weitere Mitwirkende
Hayao Miyazaki is one of Japan's most beloved animation directors. In 2005 he was awarded the Venice International Film Festival's Golden Lion Award for Lifetime Achievement, and his Studio Ghibli received the festival's Osella Award for overall achievement in 2004. Miyazaki's films include Spirited Away, winner of the 2002 Academy Award® for Best Animated Feature Film, as well as Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, Princess Mononoke, Howl's Moving Castle, and Ponyo, all of which have received great acclaim in the U.S. Miyazaki's other achievements include the highly regarded manga series Nausicaä of the Valley of the Wind and Starting Point: 1979-1996, a collection of essays, interviews, and memoirs that chronicle his early career and the development of his theories of animation. Both are published in English by VIZ Media.
Produktinformation
Taschenbuch: 500 Seiten
Verlag: Viz LLC; Auflage: Translation (22. April 2014)
Sprache: Englisch
ISBN-10: 1421561042
ISBN-13: 978-1421561042
Größe und/oder Gewicht:
15,2 x 3,3 x 22,9 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
2 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 54.432 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Very good book it for the children, they enjoyed reading it and learned a lot from it.with the school children.
Ein sehr lehrreiches und gut überschaubares Buch!Mit vielen verschiedenen Themenbereichen und auch anschauliches Material.Es ist auf jeden Fall weiter zu empfehlen!
I won't go into detail, as most of the other reviews here are pretty accurate. I have to say, this is one of the most valuable books I have ever purchased. If you aspire to be an animator or a filmmaker or a storyteller of any kind, you should definitely buy this book. It's so unbelievably amazing. I can't wait to finish it and get the 2nd book. Love it!The only thing that saddens me is I thought the book would be filled with sketches and animations. But it isn't. It's mainly essays from animators. Which is great because the animators go into such detail about animation styles, how Miyasaki inspired them, how he inspired Disney, what makes a good animator, struggles, etc...it's so so so detailed. It's truly a treasure.
I love it. It's a gorgeous compilation on essays and interviews from the master himself. This is not an artbook, don't expect pages full of sketches or anything like that, this is about the ideas, the tips, the process. Though it has short coloured comic in the middle, with a couple of pages from Miyasaki's sketchbook. From the first's pages you can find some beautiful gems, useful for any comic artists, writer, animator; it's an enlightening piece.
Starting Point: 1979-1996 is an amazing book. It's a heavy read, with essays covering everything from Miyazaki's works, to philosophy and religion, Japanese economy and the life of an animator and so much more. I found it a contradictory, frustrating and often pessimistic read but also to be incredibly fascinating and honest. It adds a whole new dimension to the man we know in Miyazaki. He's a genius as an animator but it seems he must be a terribly unfulfilled person in real life (he missed much of his children's lives due to his workaholic attitude). The book could do with some more pictures and maybe more information on his Nausicaa manga but otherwise it's a brilliant, if not always a happy read. I hope Viz Media release the sequel - Turning Point: 1997-2008, sometime in the near future. Highly recommended for Miyazaki fans. 5/5
I bought this book as an artist trying to educate myself. There are very few pictures but the book is large! I love it and it is so inspiring I took notes after only reading a couple pages! I would highly recommend this for anyone who loves art, studio ghibli, or is just a bit curious about animation or the like, I love it!
I attend more than a few director Q & A's at various film festival or Pacific Film Archive screenings. Inevitably someone asks the why, how, what-is-your theme, what-did-you-mean-by, what-do-you-want-us-think-when, why-did-this-character-do-that kind of question that directors and authors often decline to answer. Especially with respect to Totoro, both the film and manga versions of Nausicaa, Castle in the Sky, and Kiki, Miyazaki has addressed many such questions, sometimes in painstaking detail, in the decades of interviews and articles collected here. Though with room for error, readers can piece together Miyazaki's creative process and begin to understand how and why the characters he creates differ from those of any other animator. Offhand, I can think of only two works of similar scope and value: Bresson's Notes sur le cinematographe (Folio) (French Edition)(Folio: 1995) and Cocteau's Beauty and the Beast: Diary of a Film (Dover: 1972).
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